News

My new album ‘A Danger to Ourselves’ out now!!

Aquí ya por fin con el pulso a mil compartiendo este disco completo al que le di absolutamente todo y más!
Celebro además que ya puedan escuchar canciones como ‘agüita con sal’, o ‘hasta el final’ o ‘stelliformia’ y para mi queridos mexicanos ‘amorcito caradura’, que espero escuchar un buen grito al final como cuando se la mostré a mi querida camille!

Finally hitting full throttle and sharing this entire album — poured my everything into it and then some. Super stoked for you to finally listen to songs, like ‘agüita con sal,’ ‘hasta el final,’ and ‘stelliformia.’ This record is dedicated to my mentor and companion David Sylvian

Lyrics and vocals by Lucrecia Dalt except “cosa rara” by Lucrecia Dalt and David Sylvian; and “the common reader” by Lucrecia Dalt and Juana Molina
Vocals on “the common reader” by Lucrecia Dalt and Juana Molina
Vocals on “caes” by Lucrecia Dalt and Camille Mandoki
Backing vocals on “amorcito caradura”,  “no death no danger” and “covenstead blues” by Eliana Joy
Backing vocals and howls on “divina” by Alex Lazaro

All instruments performed by Lucrecia Dalt except:
Percussion by Alex Lazaro 
Feedback guitar on “cosa rara” by David Sylvian 
Electric guitar solo on “covenstead blues”  by David Sylvian
Electric guitar on “stelliformia” by Alex Lazaro
Electric guitar on “no death no danger” by Lucrecia Dalt and David Sylvian
Electric bass and contrabass by Cyrus Campbell except
Electric bass on “mala sangre” by William Fuller
Soprano and tenor saxophone by Chris Jonas
Violin by Carla Kountoupes and Karina Wilson
Cello by Amanda Laborete
Palms and finger snaps by David Sylvian and Alex Lazaro

All instruments and vocals recorded by Lucrecia Dalt except strings recorded by Mark Whitmore and vocals by David Sylvian, Camille Mandoki and Juana Molina by the artists themselves.
String arrangements in “hasta el final” by Lucrecia Dalt and Eliana Joy 

Bass and some percussion recorded at Cocoon Santa Fe
Strings Recorded at Frogville Studios

Album Credits

Concept by Lucrecia Dalt
Music by Lucrecia Dalt and Alex Lazaro @johannsebastianni
Produced by Lucrecia Dalt and David Sylvian
Mixed by David Sylvian @davidsylvian258
Mastered by Heba Kadry @heba_kadry
Lacquers cut by Josh Bonati
Cover photo by Yuka Fujii
Photo retouching by Louie Perea
Design by Will Work For Good
Art Direction Cover photo by David Sylvian

SPECIAL THANKS:
david sylvian, alex lazaro, camille mandoki, yuka fujii, matt werth, eliana joy, cyrus campbell, laurencio pérez, marta luz lópez, catalina pérez, cristóbal castilla, chiara giovando, lucia maher-tatar, mabe fratti, matias aguayo, juana molina, nick leon, william fuller, niño de elche, victor herrero, luz elena mendoza, louie perea, sammy oortman gerlings, jonah minkus, moomba, tony lowe, sayer danforth, john also bennett, chris jonas, sam armstrong, mandee carroll, duncan clark, lauren sohikian, ahmad asani, cynthia flores, mike bachers, anna motyl.

Bandcamp listening party

📣Attention, my dear music lovers! 📣


Join me this wednesday, the 3rd, for an exclusive ‘A Danger to Ourselves’ Listening Party on BANDCAMP!

at 2pm EDT, 8pm Spain, 1pm Colombia, 7pm UK, 12pm Mexico!


I’ll be present, chatting with you all and you will listen to the album in full before the release date!


RSVP at here

— see you there!

Live Shows this fall in the USA announced

The stage will light up again for ‘A Danger to Ourselves’ LIVE, and I am fired up—are you?  

More info and ticket links below!

10/24/2025 [US] Santa Fe, NM @ ICA Santa Fe

10/29/2025 [US] Baltimore, MD @ Current Space

10/30/2025 [US] Philadelphia, PA @ Johnny Brenda’s

11/01/2025 [US] Unsound New York, NY @ Lincoln Center (Unsound New York)

Nick Leon’s remix for ‘caes’ feat. Camille Mandoki

statement:

I knew Nick would totally get the layers behind ‘caes’ and that he would transform it into something cool, fun, and capable of existing in its own world. When I made ‘caes’, I wanted to evoke a slowed, faded dem bow—something punchy but melodic, with a timeless, almost ancient feel. When he sent his version back, I was screaming and dancing! Hearing it through his unique palette and ways of treating sound was surreal. Also, the thought that such a weighty message, sung by my dear friend Camille Mandoki and me, could transcend the dancefloor with grace—it’s a real treat!

MAILING LIST

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